Sunday, July 12, 2015

What is Catch Your Thunder About?

Catch Your Thunder: Rendezvous with the End
By O’Tam Pulto
A Synopsis



The world has read and reread about the Epic of Gilgamesh, about the Story of the Flood, and about the Mayan end of times. Only a few know of the Great Reversal of the Magudans. These are the last vestiges of an ancient community, non-existent to the big world, dwelling in the perennially foggy highlands of the Gamo at the upper, thicker lip of the East African Rift Valley. Their Apocalypse is not written in parchments; not on stones or on terracotta. It rather is hidden in the intestines of animals, in the womb of the three winds, and in the ways streams flow and birds fly, which they read in their trance state called the Waazzo Flight. Their religion: the Waazzo “Cult”.  
A handful of people among the Magudans saw the approaching End. They say the Traceless – one of the most powerful spirits in their cosmology; a Lucifer but not evil – has spoken and the Reversal is on. They call the End the Great Reversal because this would be a time Great Kingdoms of the world and their high cultures crumble and the customs of small and forgotten communities that preserved their deep connections to nature sweep the globe.  
Elsewhere, Goddess Atete of the upper Kush or Aset of the Egyptians or Isis of the Hellenistic world has also sent her calls through Ayyantu – the un-awakened Head-Priestess-to-be of the Goddess. Ayyantu has to wake up and awaken the Nyabinghi and five other queens of African ancient oracles. Together these Seven Dancing Queens are to rescue a mysterious Cup that would ensure their people’s revival and survival at this time of the End. The trouble is, only two names are revealed so far – Atete and the Nyabinghi. Who are the other five? Are they among the heirs of the Rain Queen of the Lovedu? Nandi of the Zululand? Nehanda of the Shona? Lady Elephant of the Swazi? Nzingha of Angola? Yaa Asantewa of the Ashanti? Or Gumsu of the Hausa? Ayyantu should find out. Worse, the Cup is in the possession of Tora – the ferocious head Mutse (spirit healer) of Maguda.
Tora has no idea. The Cup he is niggardly guarding – called the Thirsty Cup – is sought by the League of the Monarchs of the World with the headship of the Ethiopian Lion of Judah backed by the monarchs of British and Japan; and also by the Derg with the leadership of the military junta Mengistu Hailemariam. China, Jalala the magician of Bishoftu and other forces are also behind it and behind Ayyantu. Ayyantu, the Nyabinghi and the other sleeping queens of Africa has a lot on their plate.  
Tama, the half-brother of Tora the Mutse, the brother-husband of Ayyantu, the Prophet of the Oracle of the Silent Dancers, the professor of African indigenous religions – nicknamed the Ghost of Makerere – is laboring to awaken his sister-wife Ayyantu, and to help her find and bring together all the Seven Dancing Queens. Although skilled in the secrets of the Road, his lot is in no way easy. His brother, a man of unquenchable power thirst, and the giant forces of the world seeking the Thirsty Cup are upon his heels. 
Catch Your Thunder: Rendezvous with the End is the first book in the epic tale of the Gita Ola – the Great Battle – of the Reversal: a battle among the time-honored institutions that fight to preserve their powers, people who think have the elixir for the healing of the world, and the innocents and the childlike of the land who toil to plant and cultivate the new tale of Mother Earth.
This wouldn’t be the war of flesh bearers alone. Heaven and Hell are closer to us than we might imagine. The Magudan spirit practitioners are adept in the ancient art of guiding the spirits of the dead and the half-dead to possess the wakeful and sleeping minds of the divines of all religions, politicians, scientists, and artists to make them come up with the most bizarre sciences and decisions so that the old world order would be plowed under. Not only the elites. They may also have ordinary people like you and me possessed by the spirits of the deceased to make of us their armies when we think we are living our chosen ways. This is the time of the End, the time of the ultimate choice, and it is better that we choose to know and know to choose.  
Telling of unknown shamanic communities and their secrets highly guarded for nearly seven millenniums, the story wouldn’t come without a challenge to the long established concepts of the human mind and soul, time and space, life after death and resurrection, and human-nature interconnections; making us wonder if the world has not gotten these things wrong. It would also make us question if crucial truths in humanity’s ancient and recent history are being consciously overlooked: what were warriors like Alexander the Great and Julius Caesar looking for in East Africa? Why did Italy of Umberto and Mussolini plant her teeth so adamantly on this part of the black continent? What were the extraordinary African Queens such as Candace, Cleopatra, and Sheba hiding? What are the Chinese really looking for in Africa? …
Goddess Isis has always been at the heart of the birth and rise of great civilizations – the Abyssinian, the Nubian, the Egyptian, the Greece, the Roman, and beyond. She was silent however, like the silent mothers of Africa. Her silence, which was the source of her power, has been misunderstood so long that she had to break her oath not to speak. Now she is calling. Many may arise in the name of Isis and cause untold sufferings on the children of men. However, Isis is primarily the goddess of women and the lowly; and the redemption of Africa as well as the world can only come through women and the lowly. This is about the rise of the wronged to ensure the New World after the Reversal belongs to them. The Great Battle would be unparalleled in the history of the universe and the fighters would be unlike the heroines and heroes the world has ever seen.  

The Motive behind the writing
In this philosophical fantasy, I took the challenge of capturing the spirit of the age from the perspective of an African indigenous religion. My central concern in writing it is how minority cultures may stand the onslaught of the gigantic homogenizing, or at best unifying, forces to survive the sweeping process of change and make a unique and meaningful contribution for the New World Order in the making. Considering the threats many aboriginal cultures are exposed to, I wonder if the concept of “Unity in Diversity” is not too good to be realized. I feel everyone who believes humanity’s future is already written, or is being written based on one or another kind of blueprint, should make genuine effort at addressing this challenge. This is my humble attempt at initiating the dialogue so that each of us, as members of the global community and heirs of humanity’s collective heritage, would consciously and creatively contribute to the writing of a future wherein all may see the fruition of their unique cultural identities.